Teardrop Terminal Definition

Another definition of the finial is a swash or ornamental, similar to a serif, ascender or extended descender, often added as a variation to certain characters in a font. A curved and protruding hub in a terminal. Usually found on a small f. 2019 fonts: Schism One, Schism Two, Schism Three [these are sans serif versions of Alias Didot with variable contrast. They are more modulated and twisted than Peignot], Vertical (a humanist without vertical ends: a square shape, shoulder, shoulder reminiscent of Roger Excopon`s Antique Olive). Graphic designer at Sofia University Press “St. Kliment Ohridski” in Sofia, Bulgaria. Creator of the Cyrillic writing Chai (tea) in 2013. [Google] [More] ⦿ Fonts from 2021: Parlare (a fluid script), Lumios Brush (a bold brush script), Boss Jock JNL (an informal font based on the title and credits of the 1965 film Strange Bedfellows), Peachi (a 6-style soft-serif font with rounded connections), Carelia (a Dido display font for Latin and Cyrillic). Lolita (connected font), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open family of vertical connected fonts), Archipelago (+Caps: a vertical connected font), Tower (pieces that allow towers to be built modularly when stacked; created as a school assignment at the Helsinki University of Industrial Art and Design in 2006), Monster (just like Tower, but for monsters), Verna (informal face with bullet terminals), Verner (2010, a linked script version of Verna), Verner (2010, a linked script version of Verna). Photographer in Buenos Aires who designed the teardrop-shaped font in 2016 while studying at UBA. Behance link.

[Google] [More] ⦿ In 2015, while studying in Paris, Jules created the Polka Drop font on the theme of tears. [Google] [More] ⦿ Freelance in Basel, Switzerland, who created a script Sans larmoyant during his studies at the FHNW in Basel (2014). Behance link. [Google] [More] ⦿ Zurich, Switzerland, self-taught typographer, book and magazine designer. In 2021, he released Klothilde (a screenplay in the form of a tear). [Google] [MyFonts] [more] ⦿ In 2018, Mirela Belova and Svetoslav Simov jointly designed the family of 20 geometric fontless fonts Mont. Svet Simov and Svetlin Balezdrov jointly designed the humanist squad without family, and Simov released the free terminal font Colus in 2018. Gilam was designed in 2018 by Ivan Petrov, Plamen Motev and Svetoslav Simov — is based on DIN but is more geometric and has diagonally cut terminals. Graphic designer in Innsbruck, Austria, who designed the warm Vigna calligraphic font on the theme of drops in 2018. [Google] [More] ⦿ During her studies at Eracom in 2014, Nadine Pilet (Switzerland) created a font without Peignotian Sans sans titled with a few tears strategically added to a few lowercase letters. [Google] [More] ⦿ Artistic Director in Cachoeiro de Itapemirim and Vila Velha and Sao Paulo, Brazil. He designed the techno fonts Kropp (2011) and Vosky (2011) as well as the patinated font Wrot (2011).

In 2014, he designed the popular hand-drawn Sabrazila typeface and Vila curly font. In 2015, he created the futuristic Apolo font. In 2016, he designed the cursive font Married and the font drop Amadeus. Espen Aaeng has been a designer and art director in Oslo since 1973. At Behance, he showed the high-contrast bullet font Drops (2010), supposedly marketed by Foundr-E, but I couldn`t find a link to this foundry. JuanJo Rivas del Rio (Malaga, Spain, born in 1983, San Pedro de Alcantara) created the Louisiana Police (2013) on the theme of tears. The modular decorative cap font Forium (2013, free) is inspired by Gothic cathedrals. Both fonts are Tweetware. Graduated from Beijing University of Industry, born in 2006. Beijing-based creator of a teardrop-shaped stencil font in 2013. Behance link. [Google] [More] ⦿ Fonts from 2021: Dimsum (oriental emulation), Prachason Neue, Athachantr (a Latin/Thai Dido family), Kitchakan (an uncondensed one), Mommi (a soft and fat sans), Yodnam (a tear-themed font), Cakerolli, Jella (a supermarket font), Biski (a rounded supermarket savant).

The terminal ball is a combination of a point (tail point) or circular stroke and the curved bit (hook) at the end of some tails and at the end of some arms (a, c, f). The beak marker refers to the pointed spur or beak at the end of the arm of a letter shape and the curved (terminal) bit between the beak and arm. Definition: In typography, the terminal is a kind of curve. Many sources consider a terminal to be just the end (straight or curved) of a line that does not contain serifs (which may include serif fonts such as the small line at the end of “n”, as shown in the figure). Some curved pieces of tails, limbs, ears, and curls are considered terminals using the broader definition (see the Microsoft Typography Web site for more explanation). At St. John`s University in New York, Carla Marques created the Victorian typeface Slender (2015), sprinkled with small tears. [Google] [More] ⦿ Graphic designer in Crestview, FL, graduated from the University of Northwestern Florida. In 2013, she created the thriving, teardrop-shaped font Dreia Elegante. [Google] [More] ⦿ 2011 fonts: Pepita Script (a vertically connected font with small tearful ends), Pepito (the unconnected version), Barber (Upright Script family), Banzai Bros (a signage of large caps), Mishka (a vertical font connected with teardrop-shaped clamps).

Elif Karabulut (Eskisehir, Turkey) created a set of Dido caps loaded with tears and bullets and named it Ivy Bodoni (2013). While studying at Berghs School of Communication in Stockholm, Sweden, Caroline Hotti designed the elegant Diskreta display font (2017) and the sharp-edged posterless font Quartz (2017). [Google] [More] ⦿ Definition: A spout is a kind of decorative line at the end of the arm of a letter connected to the arm by the terminal. Similar to a spur or wheelbase, it is usually more pronounced. British typographer. With David James, [T-26] co-designer of AES, August.